Completely self-taught, Green-Hill’s practice was nurtured through public broadcasting, children's literature, and free community art programs. Her process blends analog and digital tools—layering drawing, fabric, thread, and found materials into works that feel at once intimate and reverent.
Her current body of work is a 100-day exploration of Afro-diasporic floral symbolism, fiber practices, and ceremonial ornamentation. Each piece becomes a gesture of remembrance and reconnection across geography and generation.